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Lindsay Shah's Blog
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Mar 02

NFN Networking Event Photos

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Feb 06

Richard Sandler Films

Published in Untagged  by Lindsay Shah | Comment (0)
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Saturday & Sunday, February 9 & 10, 2 pm reception, 4:30 pm film
screenings

FREE

PHOTOGRAPHIC EXHIBITION - 2pm Closing Receptions,
"Living For The City: Street Photographs Of Boston and New York,
1977-1992," by Richard Sandler.

Renowned NYC photographer & filmmaker Richard Sandler will be present
at his closing reception for his exhibit of New York black and white
photography at Outpost. Reception @ 2 pm.

FILM SCREENINGS
Saturday, 9 Feb., 4:30 pm
At 4:30pm we will present a showing of his award-winning documentary
feature film "The Gods of Times Square", on the occasion of its dvd
release by Brink Films.

Sunday, 10 Feb., 4:30 pm
At 4:30 pm, we will present his other films, as follows:

Brave New York, (2004, 57min)
SWAY, (2006, 33min)

Intermission

6:30pm:
Everybody Is Hurting, (2006, 55min)
Aka Martha's Vineyard (12min.)

RICHARD SANDLER (b. 1948)
Richard Sandler began shooting pictures on the streets of Boston in
1977 during a heyday for Boston photographers. He crashed a photo
class at Harvard with Ben Lifson and studied briefly with Garry
Winogrand at the New England School of Photography.

Sandler moved to New York in 1980 and intensively photographed on the
streets there until 1992, the year he began shooting street video. His
photographs are in the collections of the New York Public Library, The
Brooklyn Museum and The Museum of Fine Art, Houston.

Sandler's videos and films are, "The Gods Of Times Square" (1999),
"Brave New York" (2004), "Sway" 2006, "Everybody Is Hurting" 2006,
"The Rocks Of Eternity: Conversations with Satish Kumar" 2007, and a
film, (in progress) "Aka Martha's Vineyard." Sandler has received two
New York Foundation for the Arts fellowships in photography(1992,
1998) and a Guggenheim Foundation fellowship for filmmaking in 2006.
"The Gods Of Times Square" has won a number of festival awards
including "best documentary" at the '99 Chicago Underground Film
festival and the '99 Rotterdam Film Festival.


OUTPOST DIRECTIONS:
186 ½ Hampshire St., Inman Square, Cambridge, near cr Prospect,
opposite Hess gas, behind 7-11. Big '186' on R side. Follow walk at
Left to gallery in back.

FILM DESCRIPTIONS
Saturday, February 9

The Gods Of Times Square, (1999, 112:00) is about religious zealots in
the fabled square and about the grotesque process of "Disney-fication
there. "Gods" chronicles the last days of the old Times Square and
it's traditional function as a place of freer speech. "The Gods of
Times Square" has won a number of film festival awards including "best
documentary" at the 1999 Chicago Underground Film Festival.

Sunday, February 10

Brave New York, (2004, 57:00) is a free form documentary that loosely
chronicles the last 12 years of intense change in the East Village
"hood." From the reopening of a newly curfewed Tompkins Square Park
and Wigstock in '92, to the destruction of the cherished Loisaida
Community Gardens, to the yuppie invasions of the dot com years, to
the present era, indelibly stamped with post-9/11 grief, this durable,
lusty neighborhood survives in spite of a real estate gold rush that
has excluded all but the well-to-do. The movie's main voices are those
of the artists and street people whose wisdom and commentaries upon
the dominant culture give us pause amidst the speedy approach of a
"Brave New World."

SWAY, (2006, 33:00) is a free-form documentary about the underground
portion of the NYC subway system; edited from 12 years of daily
shooting on the trains and on the platforms.
Intermission

Everybody Is Hurting, (2006, 55:00) is a documentary about the day of
9/11/01 in NYC, and the muscular debate and soul-searching that raged
in Union Square Park in the days and weeks after the attacks. The
piece ends with a coda of contextual video of the World Trade Center
towers from the previous 10 years.

'Aka Martha's Vineyard" (12min.)
A powerful giant as big as a mountain, has a pet frog as big as an elephant.
They live on an island called NOEPE, which means "A PLACE OF REFUGE."
This is the island now known as Martha's Vineyard.

In a dream the giant, whose name is MOSHOP, saw that Europeans were
coming and he mourned,
then he split from the scene, knowing that these people were truly
un-hip, and would not "get" the beauty that subsumed their world and culture.

MOSHOP dreamed that the shit was about to hit the fan, so he turned
his pet frog into a stone.
The European people arriving on "floating islands" (sail boats) would
cause them terrible harm,
in the form of small pox, Christianity and outright genocide.
But, their world, though seriously injured, would survive.
Fast forward to today where 350 people form the Wampanoag Tribe of Gay
Head/Aquinnah.

"Aka Martha's Vineyard," (shot on super-8 films) is a study for a
feature documentary and a first glimpse through that giant
stone-frog's eye.


Outpost186 calender update : http://www.zeitgeist-outpost.org/
Support Local Community Radio Act : http://www.freepress.net/lpfm/

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Jan 17

Sweeney Todd Receives Two Thumbs...

User Rating: / 1

That Tim Burton directed Stehpan Sondheim's SWEENEY TODD ought to have been a marriage made in heaven.  With Johnny Depp as the Demon Barber with the metaphoric extension of his EDWARD SCISSORHANDS into a razor, this ought to have been a layup. Unfortunately, SWENEY TODD is considerably short of heavenly.

In spite of an impressive production design, London rats and all, the
demands of the film medium, no matter how stylized, still require more verisimilitude than a stage production. The absense of expository detail, the omission of "The Ballad if Sweeney Todd" only makes the incredible Sondheim score- which worked so well on stage- somewhat interruptive, no matter how much Johnny Depp is as a singer. Things that don't work on a literary lever that this truncated fim demends are the romance between the vagabond sailor and Joanna, and, since Burton is so intent on the Edwardian revenge theme, the ghoulish fun of the Sondheim original of Mrs. Lovett's
entreprenurial bakery with cannibalistic pastries is mostly missing.
And with the trimming of both plot and melolies, The climax of Sweeney Todd's tragic awareness seems underdeveloped. I did not feel for him at his moment of discovery and death.

Nevertheless, I liked the film The production design , as one might
expct from Tim Burton, was outstanding. Both Depp and Bonham-Carter were effective, as were Alan Richman as the evil Judge and Mike Leigh stalwart Timothy Spall as the Beadle. And one cannot complain about the basic story and what remained of the Sondheim lyrics.

But - given the level of talent - and, indeed, genius, that went into
the film, it is a disappointment.

 

LINDSAY SHAH SAYS:

"I walked into Sweeney Todd after a month of anticipation.  Tim Burton is one of my personal heroes. Yes...his films are
outward in their cartoonish darkness...but the way in which he
creates a universe out of this could-be superficial aesthetic, I find
multi-layered.

The music which the film began with seemed promising...
I don't think I have to finish this sentence,
but 'seemed' is the obvious key word.

The set design and costumes were flawless in their filthy, deconstructed style...simply what one expects walking into a Burton film. I felt that the style is too recycled by this film that the magic is left behind.

I felt myself desiring the inspiration that Burton gave me no choice but to own when these aesthetics were definitive.

The acting was not flawed, but this does not save the film.
As with many of Burton's films, I felt that the story was secondary.


I long for the idyllic day when the amazing aesthetics of Burton
merge with a writer who sees his universe in verse.

To conclude, I am an openly biased hater of musicals (!)




 

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Dec 05

Crossing The Line

Published in Untagged  by Lindsay Shah | Comment (0)
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Wed Dec 19, 7-9PM NE Premiere - Coolidge Corner Theatre
 
Crossing The Line: Multiracial Comedians
 
PBS stations say...
Teja Arboleda has a strong history in creating thoughtful programming.
-- Scott Dwyer, Program Director, KQED-TV, San Francisco, CA

 

Our station would be very interested in showing your important and sensitive documentary.
-- Vickie Killion, Communications Manager, Southern Oregon Public Television

 

The topic is extremely current and the creative way you have chosen to document it will be engaging and thought proviking.
-- Kathryn Larsen, Program Director, WSBE-TV (RIPBS)

Featured Interviews - Rain Pryor & Randall Kennedy


Rain Pryor Headshot xsm
Randall Kennedy Headshot

 


 


Quick Links...


 

The day we arrived in LA to begin shooting this documentary, TV's Seinfeld star Michael Richards lost his cool to hecklers and retaliated with the 'N' word. In today's world of race-relations, immigration and entertainment, the ultimate question is: where is the line, and who can cross it?

From the research of Dr. Darby LiPo Price, and multiracial comedian/Producer/Director Teja Arboleda, comes this fascinating discovery of comedy, from the perspective of multiracial/bi-racial comedians. This feature-length documentary analyzes how mixed race comedians mediate multiracial identities and humor.

Prominent players in this story include: Rain Pryor - daughter of Richard Pryor; Randall Kennedy - author of 'Nigger'; NBC Universal director of diversity, Damona Resnick; Many prominent multiracial comedians

Dr. Randall Kennedy, Harvard Law Professor, and author of 'Nigger' to do Q&A with producer Teja Arboleda after the film.

Teja Arboleda

Documentary Filmmaker, Professor
& Multiracial Comedian

Teja Arboleda Headshot
DATE: Wednesday, December 19th
TIME: 7-9 PM
LOCATION: Coolidge Corner Theatre
http://www.coolidge.org/node/1419

 

Evening Events

7-8:30 - Premiere Film; 8:30 - 9 - Q&A with producer and Harvard Law Professor, Randall Kennedy, author of 'Nigger'.

For more information, please visit: http://www.EntertainingDiversity.com/CrossingTheLine Coolidge link to premiere: http://www.coolidge.org/node/1419

 

Premiere of important and timely documentary

$9.75 adults / $7.75 students with valid ID Post-film Q&A with Prof. Randall Kennedy and producer Teja Arboleda

Coolidge Corner Theatre Map

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Dec 04

Gods of Times Square

Published in Untagged  by Lindsay Shah | Comment (0)
User Rating: / 1

 

 "Living For The City: Street Photographs Of Boston and New York, 1977-1992," by Richard Sandler.__Renowned NYC photographer & filmmaker Richard Sandler presents his New York black and white photography at Outpost. Reception @ 2pm. At 4:30pm he will present a showing of his award-winning documentary feature film “The Gods of Times Square”, on the occasion of its dvd release by Brink Film.


THE GODS OF TIMES SQUARE was shot over a six year period that witnessed a radical transformation of Times Square. Gone now are the mom and pop stores, squeezed out by a real estate gold rush. Gone too are the colorful characters who made Times Square a "speaker's corner".  THE GODS OF TIMES SQUARE thus records a time in New York City history when the place most identified with free speech and the soul of New York, changed from a democratic and interracial common ground, into a corporate controlled, soulless theme park. The former versions of Times Square offered its congregants a place to air their thoughts and blow off a little steam, to rant about God and race on the one hand or see a "B" movie or buy sex, at the other end of the Times Square spectrum. Now the choices are fewer, the prices are higher, and the "sin" is gone. Times Square now plays host to the newest of Gods: Micky, Minnie and Goofy on one corner, Bugs, Daffy and Porky on the other...God help Times Square!_

"The Gods of Times Square is one of those rare documentaries that combines a cinematic eye with a compelling and genuine narrative. This is what doc filmmaking is about." - Scott Petersen, indieWIRE

Outpost Gallery - 186 Hampshire St. Cambridge 02139
Sunday, 16 Dec. 2007,  2pm reception,  4:30 pm film screening

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Nov 06

Distributing Your Film In The Global Marketplace

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Distributing Your Short Film: A Symposium for Filmmakers
 

Distributing Your Short Film in the Global Marketplace

2-5pm Friday, Nov. 9 | The Bordy Theatre | 216 Tremont Street, Emerson College

Free of Charge to Emerson Students & Members of the Public!

So you’ve made your short film.  Now what?  With the agonies of fund-raising, shooting and postproduction behind you, how do you best get your film out into the world?  The good news is that more avenues for distribution and exhibition exist today than ever before.  The bad news is that the bewildering number of options that face the short filmmaker can often be paralyzing.

“Distributing Your Short Film in the Global Marketplace” is a three-hour symposium designed to demystify the processes of short film distribution and prove that talented and motivated student filmmakers can take their work beyond the classroom and reach audiences around the globe through film festivals, television and the Internet.

Moderator Sue Biely is the Director of Business Development & Social Responsibility and Co-Founder of The Nimble Company, a multi-platform media company creating and managing media brands for the post-tv generation, including the beta interactive community hip hop site RapSpace.tv.  Sue will be joined by an expert panel of industry professionals, including:

Derry O’Brien, founder and director of Network Ireland TV, an Irish-based TV program and DVD distributor which has specialized in short film distribution internationally for the past 12 years

Shane Smith, Director of Programming for Movieola The Short Film Channel, an online provider of cutting edge short films

Megan O’Neill, Vice President of Acquisitions and Production for AtomFilms, a leading entertainment provider of short content via internet, broadband services, and mobile devices

Cara Longo, Manager of Acquisitions & Programming for the Sundance Channel, formerly Director of Scheduling for the Independent Film Channel

Acknowledging that shorts constitute a unique genre with specific modes of distribution and exhibition, Sue and her panel will discuss what makes a good short film good and how making the right decisions can maximize your film’s exposure and get you established.  Discussions will approach distribution from a global perspective, addressing festivals, television, and online video streaming.

Distributing Your Short Film in the Global Marketplace will take place at the Bordy Theatre, 216 Tremont Street in Boston's Theatre District.

Members of the public are advised to arrive there at least 20 minutes ahead of the scheduled start time to ensure a seat.

Supported in part by the Ireland Funds. The Ireland Funds is the largest worldwide network of people of Irish ancestry and friends of Ireland dedicated to raising funds to support programs of peace and reconciliation, arts and culture, education and community development throughout the island of Ireland.

Supported in part by Network Ireland Television an Irish-based TV program and DVD distributor which has specialized in short film distribution internationally for the past 12 years.

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New Guide Listings


Stephen Faust

Category: Talent (Individuals)
Created: Apr 8, 2008


Miele Law Group

Category: Copyright and Legal
Created: Apr 8, 2008


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Category: Online Video Competitions
Created: Apr 8, 2008


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Category: Location Services and Facilities
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