I saw a final cut of THE GATEWAY MEAT, filmed in Massachusetts. I appear in the film, I get brutally murdered and got to write my own death scene. Unfortunately my face is bound up with duct tape and we shot for 8 or 10 hours and I couldn't see and was covered in cold fake blood all day. The DVD will be out soon. The film is AMAZING- oh my god- so gory! I was only in a small part and did not see the script so knew nothing about the plot of the film or anything about it except my scenes.
Also out soon on DVD:
Countess Bathoria's Graveyard Picture Show, which debuted at the Fantasia Film Fest, and which I co-wrote.
I am writing for The Independent Magazine website and will be interviewing Jeremy Kasten, director of the upcoming remake of The Wizard of Gore.
I have an interview in the next Girls and Corpses magazine with Erik Ruhling, author of Infernal Device, an illustrated book of torture devices.
Although I put it aside months and months ago it looks like my script A Fistful of Anger may be optioned.
Actors, an Acting Teacher and a Casting Agent Share Their Experience at the acting panel on this past Saturday as part of the Northampton Independent Film Festival
Pat Mc Corkle: As one of New York's most respected casting directors, Pat McCorkle has amassed an impressive list of credits in all genres. Her expertise ranges from feature film to Primetime TV to Broadway Stage and Regional Theatre. Her numerous credits include: Broadway productions of "Thge Lieutenant of Inishmore,: "Cat on A Hot Tin Roof" with Ashley Judd; "Bobbi Boland;" and "Oldest Living Confederate Widow Tells All" with Ellen Burstyn; 3lbs. "Chapelle's Show;" the "Jamie Kennedy Experiment;" CBS-TV's "Hack" and "The Education of Max Bickford;" numerous feature films such as " "Rollerball;" Showtime's "Ruby's Bucket of Blood" with Angela Basset; TNT's "Monday Night Mayhem" starring John Turturro' MGM/USA's "The Thomas Crown Affair" and many more. She has also cast for The Arena Stage, The George Street Playhouse and The Guthrie Theatre.
Peter Berkrot: Peter has taught acting to adults and children, written for the stage, and has run acting workshops throughout New England. He wrote and directed several short films about teens and AIDS for New Hampshire public television. As a director he has staged SARAJEVO: VOICES OF THE SEIGE, ROMEO AND JULIET, WAITING FOR LEFTY, and THE BREAKFAST CLUB FOR NEW VOICES.
Leslie Kendall: Leslie was born in Los Angeles and began performing at the age of ten, creating the title role in L.A. Chamber Ballet's adaptation of the children's classic THE LITTLE PRINCE, Leslie co-starred in NBC's NUTCRACKER: MONEY, MADNESS AND MURDER, playing Lee Remick's daughter, and has guest starred on television series such as CLUELESS and STAR TREK DS9. She was also a regular on CHARLIE HOOVER.
Robert Gomes: Robert has had roles on SEX AND THE CITY, ED, LAW AND ORDER and ALL MY CHILDREN. His extensive theater background includes roles on Broadway (including the Lincoln Center Theater) off-Broadway, and major regional US theaters.
Independent vs Studio Productions
Leslie Kendall: As an actor in an independent production, you have more involvement. You see more, you learn more. When there is more of a bonding process and openness that comes with more involvement-The performance is better as a result. When you are a part of a studio production, you are waiting in your trailer to be escorted to the set. This leaves the performance colder from the get-go.
Getting to The Core of a Character
Peter Berkrot: The key to getting to a character's core is to examine what the character wants. What is the character's ultimate goal, and how does this affect the way they interact with people. How do they interact with people of different status? Children, their boss, their wife?
Peter recommends the books "Black and White" by David Mamet and "Acting For the Camera" by Tony Barr
Robert Gomes: On the short film BODY/ANTIBODY Robert came into the audition trying-out for one character and left the audition with the news that he would be trying-out for an entirely different character with much less preparation than the first. Robert read Michael Caine's book "Acting on Film" cover to cover. Since the new character was afflicted withobsessive compulsive disorder Robert watched as many documentaries as possible before the next audition. He found that these were not nearly as helpful as one film which documented a woman afflicted with the condition while she was put into an environment she had no control over. The difference was that he was studying the woman from a behavioral standpoint as opposed to a psychological standpoint. Looking to the reaction under stressful conditions such as the movement of the hands and the breathing were the key to playing a character with the condition than just understanding the reasons the person acts the way they did.
Make sure to catch the panels this coming weekend at the second installment of the Northampton Independent Film Festival
Saturday, November 10th 10:30 am-Women Filmmakers' Panel
Saturday, November 10th 1:00 pm-Florentine Films/Hott Productions Retrospective
This seems as good a place as any to keep track of my Boston area auditions...
So, today I read with Carolyn Pickman for the role of the curator in "The Lonely Maiden," produced by and starring Morgan Freeman and Bill Macy, along with Christopher Walken. Evidently my scene would be with Walken if I get the role, which is very cool.
He was in some scenes in a friend's film a few years back. The scene I read would give me the chance to treat him like total crap, which would be a blast. Nothing like having to take on of your favorite actors down a notch on camera...
I'm an actress actively looking for work whether it'd be extra work, writing, etc. I'm also getting back into writing my screenplay and would like to callab with other talent on writing and whatnot to get something off the ground. I have a lot of free time at the moment, and I'd like to used it creatively.
So, I spent a week in Boston securing an apartment and getting to know the city a bit. While I was there I had a meeting at Maggie, Inc., and Maggie wants to sign me. As this is the only SAG-franchised agency in town (and I'm SAG), I guess it's a foregone conclusion that I'll sign thecontract and send it in. Besides, I had a nice meeting with Maggie.
But I did figure I'd put a little query out there to Beanywood to see if anyone here had any experience with the agency, positive or negative.
