Sep 19

How to Succeed in Film without Really Trying

avatar Published in independent filmfilmmakingfilmmakersfilmmakerfilm by Aaron Howland
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cameras.jpgDo you remember the first time you saw a Monet or a Kandinsky or a Schiele?  You probably thought to yourself, "My god, that's beautiful.  And you know what?  I could probably do that, too.  And I wouldn't even need any training.  That's just how good I am."

Do you remember hearing The Beatles for the first time?  Or Nina Simone or Igor Stravinsky?  You probably thought, "Man, that's some good stuff.  And I bet I could pick up a violin or a guitar and just know how to play.  I could look at an instrument and grasp the fundamentals of music theory, orchestration, and four-part harmony in a flash.  I mean, how hard could it be?"

What, this never happened to you?  Huh.  Me, either.  So, why is it that so many people these days are picking up digital-video cameras and shooting movies despite knowing nothing about the art and craft of film-making? 

Now, please don't get me wrong.  I'm not bashing amateur filmmakers, and I'm certainly not bashing the concept of learning by doing.  As a matter of fact, I'm a fan of both.  As a founder of the Boston Motion Picture Awards, I've seen some rather amazing films from student and amateur filmmakers.  My problem is not with artists or craftspeople who are early on in the learning process.  My problem is with people who think they can produce quality work while bypassing the learning process.

"Yeah, but what about artists and musicians who are self-taught?" I often hear.  Well, stop for a moment and think that question through.  "Self-taught" implies some actual teaching.  Great self-taught artists and musicians rarely sit in a room and practice without any other source of education.  They go to concerts and watch musicians play; they go to museums and study the color choices and brush strokes of master painters; they listen to the works of great musicians and try to recreate the music on their own instruments.  They absorb as much information as they can, and they do it actively.  They don't assume that because they go to the movies once a month, and because they can quote Ghostbusters from start to finish, that they've somehow studied film-making.

"Yeah, but there are no rules in art, you know?  Besides, I like to break the rules."  Okay, well, if there are no rules, then you can't break them, but let's put that aside for a moment.  There's nothing wrong with breaking the "rules."  Most of the great artists do.  These great artists, though, study color theory or music theory and make a conscious choice to do something different--to surprise their audience or force the audience to re-learn how to look at a painting or read a novel.  Great artists work hard to perfect their craft; they educate themselves in every way possible so they can get better at what they do. 

So, what is it about film-making that's so different from other arts?  What is it that makes so many people think that you don't need any experience or education?  And this isn't a rhetorical question.  I'd really love to know, so if anyone out there has any thoughts, please add a comment or send me an e-mail.

In the mean time, I have this to say: to all out you out there who are working hard at your craft, I commend you.  I hope you'll continue working hard, and I hope you find success.



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Jonathan Millett said:

 
Well said. There are plenty of peole who have talent, but that talent need finesse and refinement. It only makes them better.
September 19, 2007

Susan Davis said:

 
Like anything, the more one learns of any craft, the more there is to know. The most important thing for me lately, is symbiosis of knowledge in relationship to others in the field, or in this case, a tree. Imagine the Tree of Knowledge as being the profession of filmmaking. A great vast Elm, long in trunk, and deep in root. At any given point in one's pursuit of craft , someone is somewhere traveling up that vast trunk. Some make it to the leaves, or stay on a particular branch and become proficient in a microcosm of that particular branch. Some stay on the trunk, lets call them directors, as they pary with the branches of filmmaking, but must adhere to the larger whole of the Elm. At any given time, as this Elm is so vast, there are filmmakers making their way to the top that never leave the roots of the tree, and are content to stay there. But eventually, if they're hungry, they will move upwards, How long can you eat roots, anyway? (turns out a very long time, as there are envions waiting to be discovered there, as well). Once you've mastered all there is to master, or your boredom crushes you, and curiousity pinches you, technology and other artists have raised the bar so high in the meantime as to block out the sun. Ever notice the butterflies? Those are the craftspeople that look like they've defied the rules...but they always come back to the tree. Me? I'll be happy to be an aphid on a catipillar and will never make it to the top, not in my lifetime, or a million others. But I need the tree, for now, and crave all that it and my fellow travelers have to offer.
September 29, 2007

RICK LANE said:

 
In the United States, we live in a McDonalds' society. We want the drive thru. Right away. People don't want to make a home-cooked meal. They don't want to have to turn on the oven, wait for it to heat up, make the ingredients, wait again for the food to be ready, and then eat. No, that takes too much effort. And time. Precious time. Everybody is "so" important and living as big shots that losing an hour is very much out of the question in their minds. Look at entertainment. Take Paris Hilton for example. What has she done to be famous? What talents does she have? Has she put in a multitude of hours honing a craft? Nothing, no clue, and no. Those are the negative answers to those questions. So, why, would an observer(s) of her fame perform an obvious positive and fully educate themselve(s) on a craft such as film-making? Some films give people false hopes of fame and with technology and the internet, people seem to achieve "fame" in five minutes. That's about the same time it takes to get Big Mac at McDonald's.
October 04, 2007

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